2024年3月31日发(作者:)
主音上主音中音下属音属音下中音导音的英
文标记
在音乐理论中,主音被标记为T(tonic),上属音被标记为S
(supertonic),中音被标记为M(mediant),下属音被标记为SD
(subdominant),属音被标记为D(dominant),下中音被标记为SM
(submediant),导音被标记为L(leading tone)。
这些英文标记用于标记音程和调式中的音符。它们通常用于音乐
分析和指挥中,在指导演奏或分析音乐作品时非常有用。以下是22个
双语例句:
1. The melody begins on the supertonic note.
这个旋律以上属音开始。
2. The subdominant chord is often used to create tension
in music.
音乐中经常使用下属音和弦来制造紧张感。
3. The mediant note adds a sense of stability to the
chord progression.
中音音符为和弦进行增添了一种稳定感。
4. The leading tone resolves to the tonic in this cadence.
导音在这个终止上解决到主音。
5. The dominant chord is followed by the tonic chord in
the final phrase.
终止短语中,上一个和弦是属音和弦,接着是主音和弦。
6. The submediant note is often used in a major key to
create a melancholic feeling.
下中音音符在大调中经常用来营造忧郁的感觉。
7. The subdominant harmony provides a contrasting color
to the dominant chord.
下属音和弦为属音和弦带来了对比的色彩。
8. In this musical passage, the dominant note adds
tension before resolving to the tonic.
在这个音乐片段中,属音音符在解决到主音之前增加了紧张感。
9. The tonic chord represents the home key of the
composition.
主音和弦代表了这首作品的主调。
10. The leading tone creates a strong pull towards the
tonic note.
导音对主音音符有强烈的吸引力。
11. The submediant harmony gives a sense of warmth to the
piece.
下中音和弦给乐曲带来一种温暖感。
12. The supertonic triad is a common chord progression in
classical music.
上属音三和弦是古典音乐中常见的和弦进行。
13. The mediant note serves as a transitional note
between the tonic and dominant.
中音音符在主音和属音之间起到过渡作用。
14. The dominant chord creates a sense of tension that is
resolved by the tonic.
属音和弦创造了一种紧张感,通过主音解决。
15. The subdominant harmony adds richness to the overall
sound of the piece.
下属音和弦为整体音色增添了丰富性。
16. The leading tone is a crucial note in establishing
the key of the composition.
导音是确定作品的调式的关键音符。
17. The tonic triad is the most stable chord in the key.
主音三和弦是调中最稳定的和弦。
18. The submediant note provides a sense of resolution in
this phrase.
下中音音符在这个乐句中提供了一种解决感。
19. The supertonic chord sets up tension that is resolved
by the dominant chord.
上属音和弦制造了一种紧张感,在属音和弦解决。
20. The mediant harmony adds a touch of melancholy to the
melody.
中音和弦给旋律增添了一丝忧郁。
21. The dominant note leads naturally to the tonic in
this progression.
属音音符在这个进行中自然地导向主音。
22. The subdominant chord progression is often used in
gospel music.
下属音和弦进行经常在福音音乐中使用。
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