2024年3月14日发(作者：)

五年级用英语介绍中国文化

京剧脸谱（Beijingoperatypesof；Beijingoperatypesoffacia；

h；Beijingoperatypesoffacia；

personality,temperamento；makeupinoperassuchasGuan；

Beijingoperatypesoffacia；chara

京剧脸谱（Beijing opera types of facial makeup in operas）

Beijing opera types of facial makeup in operas, is a special feature of

a

national cosmetic. As each historical figure or a certain type of

person has an approximate spectral type, like sing, play music to the

music, so called “types of facial makeup in operas”. On the types of

facial makeup in operas sources, the general view is from mask.

Beijing opera types of facial makeup in operas are based on certain

personality, temperament or some special types of figures for the

use of certain colors. Red has expressed his Warriors of strong types of

facial

makeup in operas such as Guan Yu, concubines Victoria, regular

book; Black said the types of facial makeup in operas ming criticized

people, integrity, bravery and even reckless, such as Zheng and Zhang

Fei, Li; Yellow types of facial makeup in operas that vicious brutality, such

as Yu Chengdu, and Dian Wei. Blue or green types of facial makeup in

operas that some of the figures represented irritable, such as Dou

Ambassador, Ma Wu; General treacherous court official said the types of

facial makeup in operas white, bad guys, such as Cao Cao, Zhao higher.

Beijing opera types of facial makeup in operas of color painting

methods, basically divided into three categories : rub face, face towel,

different faces. Types of facial makeup in operas initial role is

exaggerated her role with striking places and face the veins, using

exaggerated by the performance of dramatis personae of personality,

psychological and physiological

characteristics, and using this to the entire drama circumstances, but

Later types of facial makeup in operas by Kan to complex, from rough to

the small, Youbiaojili, from shallow to deep, itself becoming a nation of

characteristics, to the facial expression means for the pictorial arts.

二胡 (èr hú) – a two stringed violin type instrument that is used to

expressed sadness and to imitate birds and singing.

古筝 (gǔ zhēng) – an 18-23 stringed instrument that is plucked

horizontally. It is usually played solo, by a female musician at an opera or

concert.

琵琶 (pí pa) – 4 stringed instrument, similar to a medieval lute. The

instrument was popular in Chengdu, the capital during the Tang Dynasty

and is now most commonly seen in performances.

笛子 (dí zi) – a flute made from bamboo with around 6 finger holes.

One hole was covered with paper to create a raspy noise.

中国风 (zhōng guó fēng) : "Chinese Style" Music

中国风 (zhōng guó fēng) means "China Wind" in literally. Zhongguo

feng mixes elements of traditional Chinese music, Chinese opera and

poetry with modern pop music. 中国风 (zhōng guó fēng) comes from

中国风格的 (zhōng guó fēng gé de)meaning ‘Chinese Style’and was

first seen in 2003, when Jay Chou 周杰伦 (zhōu jié lún), the Taiwanese

Pop star released ‘East Wind Breaks’ 东风破 (dōng fēng pò). The song

is a modern R&B song with the traditional instruments of the 二胡 (èr h

ú) and 琵琶 (pí pa). ‘East Wind Breaks’ uses a traditional element of

Chinese music, known as the pentatonic scale. A pentatonic scale has 5

notes per octave, as oppose to a heptatonic scale that has 7. Heptatonic

scales are more commonly found in western style music.

东风破 (dōng fēng pò) (East Wind Breaks)

Actually, Jay Chou周杰伦 (zhōu jié lún) and song writer Vincent Fang

方文山 (fāng wén shān), had been creating many traditionally influenced

songs apart from ‘East Wind Breaks’ 东风破 (dōng fēng pò)..

When interviewed about ‘zhong guo feng’, 方文山 (fāng wén shā

n) said he was

always concerned about the subjects about nation, tradition and

culture. When this cultural consciousness is combined with music, lyrics

with so called “China Wind” element are naturally created.